 musicpicks
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Date: February 16, 2004 @ 10:22 AM
A much shorter piece than op. 11 but still very intriguing. Another great performace by an excellent musician.
I prefer 11 because of the composition aspect which focuses more on range than 19 where it sounds more like dynamics take over.
That's one thing about atonal music, it's very hard to establish a standard. Perhaps someone will have the opposite view as me.
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 miriamgomezm...
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Date: February 16, 2004 @ 3:17 PM
Hi!
Thank you for posting a comment on my Schoenberg op. 19. I think his music was especially experimental by the time he composed that work. He soon realized that totally free atonalism was making the composition of big structures impossible. That is why he had to find out a new system (dodecaphonism) that would enable to composer to write longer pieces. I find these pieces rather interesting by themselves, not only because of their historical significance.
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 MikeGruz
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Date: February 20, 2004 @ 3:41 PM
Hey, great performance! I felt a great deal of dynamics and feeling in this piece with a lot of balance and what not. I like this piece quite a bit....
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 dkeifer
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Date: March 15, 2004 @ 7:47 PM
It took me a long time to hear anything but the strageness in atonal music. But over the past few years I've come to hear the full range of emotions in it that I hear in other music. This is really a beautiful performance of lovely music. I especially like the playfulness of the second piece. Very neat.
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 EvilPicnic
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Date: May 22, 2005 @ 6:45 AM
Very impressive! You really bring out the feeling behind the music. I'd love to hear you play the Webern Variations and tackle the full Serialist 12-tone mountain!
This is possibly the best piece of playing I've heard on Dmusic so far, but then I've only been here a week...
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HenriRoger
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Date: December 20, 2005 @ 1:02 PM
I'm like free jazz ,improvised music more than contemporary music, but...I love your interpretation here . thx for sharing it .
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